HORST ANTES German, b. 1936

Biography

"Anything can happen in the head, but the head also protects the human being. There are open heads that can be inhabited. The whole human being is contained in the head. And there is the empty head, which can take in everything and gives it all away again."

Horst Antes (*1936, Heppenheim, Germany) is regarded as one of the defining figures of post-war German art. Since the early 1960s, he has developed the “Head-Footer” (Kopffüßler), an iconic pictorial figure that resists singular interpretation and has come to embody existential, anthropological, and mythological concerns. Throughout his oeuvre, Antes combines elements of figuration with a highly distinctive visual language that moves between archaic symbolism, formal reduction, and psychological intensity. In addition to painting, his practice encompasses drawing, printmaking, and sculpture, each reflecting his sustained engagement with the human figure. His works are held in major international museum and private collections, including the Städel Museum, Frankfurt am Main, Museum Ludwig, Cologne, Neue Nationalgalerie, Berlin, and the Museum of Modern Art (MoMA), New York. Through his work, Antes made a significant contribution to the renewal of figurative art in Germany from the 1960s onwards.

Selected works
  • HORST ANTES, Kopf in Kopf und Aug im Mund, 1970
    HORST ANTES
    Kopf in Kopf und Aug im Mund, 1970
    Aquatec on canvas
    89.9 x 80,5 cm
    35 3/8 x 31 1/2 in
  • HORST ANTES, Kopf Max Bill für Max Bill, 1971
    HORST ANTES
    Kopf Max Bill für Max Bill, 1971
    Aquatec on woodplate
    62 x 50 cm
    24 3/8 x 19 3/4 in
  • HORST ANTES, Porträt mit Roter Gesichtsmaske und blauem Gesichtsfeld, 1972
    HORST ANTES
    Porträt mit Roter Gesichtsmaske und blauem Gesichtsfeld, 1972
    Aquatec on canvas
    120 x 100 cm
    47 1/4 x 39 3/8 in
  • HORST ANTES, Grauer Kopf I, 1972/73
    HORST ANTES
    Grauer Kopf I, 1972/73
    Aquatec on canvas
    90 x 80 cm
    35 3/8 x 31 1/2 in
Ausstellungen