HORST ANTES German, b. 1936
"Anything can happen in the head, but the head also protects the human being. There are open heads that can be inhabited. The whole human being is contained in the head. And there is the empty head, which can take in everything and gives it all away again."
Horst Antes (*1936, Heppenheim, Germany) is regarded as one of the defining figures of post-war German art. Since the early 1960s, he has developed the “Head-Footer” (Kopffüßler), an iconic pictorial figure that resists singular interpretation and has come to embody existential, anthropological, and mythological concerns. Throughout his oeuvre, Antes combines elements of figuration with a highly distinctive visual language that moves between archaic symbolism, formal reduction, and psychological intensity. In addition to painting, his practice encompasses drawing, printmaking, and sculpture, each reflecting his sustained engagement with the human figure. His works are held in major international museum and private collections, including the Städel Museum, Frankfurt am Main, Museum Ludwig, Cologne, Neue Nationalgalerie, Berlin, and the Museum of Modern Art (MoMA), New York. Through his work, Antes made a significant contribution to the renewal of figurative art in Germany from the 1960s onwards.
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HORST ANTESKopf in Kopf und Aug im Mund, 1970Aquatec on canvas89.9 x 80,5 cm
35 3/8 x 31 1/2 in -
HORST ANTESKopf Max Bill für Max Bill, 1971Aquatec on woodplate62 x 50 cm
24 3/8 x 19 3/4 in -
HORST ANTESPorträt mit Roter Gesichtsmaske und blauem Gesichtsfeld, 1972Aquatec on canvas120 x 100 cm
47 1/4 x 39 3/8 in -
HORST ANTESGrauer Kopf I, 1972/73Aquatec on canvas90 x 80 cm
35 3/8 x 31 1/2 in
